Salim Young: On growing up in Salim musical family and future hopes

Laban Kinuthia Salim who goes by the stage name Salim Young, is a scion of the famous guitar playing Salim family from Subukia, Nakuru. The family is largely credited with introducing to Kenya, the concept of playing One Man Guitar or Mugithi in entertainment spots accompanied by a drummer. The Salim family has produced the likes of Salim Junior, Mighty Salim, Sarafina Salim and now Salim Young.

Early Musical Starts

This family of eight with Salim Young born in 1990, the youngest of brothers was introduced to music by their Dad, Salim Senior, today a Private School Entrepreneur and Instrument’s tutor in Subukia. Like his singing siblings Salim Young was inspired by Dad who sang gospel. Contrary to popular belief, neither of his family members were Muslims due to the name Salim. Their Dad chose to be addressed by it as he wanted a name without many people. “We all now use it as our surname, it stuck,” chuckles Salim.

Early Musical Influences and Guitar Practice

Besides the Dad, Salim Young was was inspired by music of the late great Sammy Muraya of Subukia Success band. “That man’s songs inspired me a lot I remember seeing him when I was younger,” recalled Salim Young. Then Salim Junior worked at Sammy Muraya’s studio in River Road. Salim Young recalls picking the guitar and learning to play a tune when in nursery school. To learn he tapped what his Dad and elder brothers taught him, but admits to perfect his skills has taken dedication and discipline.

Studying in high school Salim Young awoke at 5am and before going to school practiced for 30 minutes. Their home due to their Dad’s musical inclinations had instruments like an accordion, keyboards and a recording studio. “I accessed the guitar at a very early age,” Salim Young recalls. That exposure, research and practice aided him to learn various guitar chords and styles growing up in Subukia.

Producer and Session Guitar Player

Today Salim Young plays Mugithi and on tracks of other musicians like his sister and band mate Sarafina Salim. He also plays keyboards, bass and lead guitar and has done production at Kuruga wa Wanjiku’s studio. Though still budding in music, Salim Young admits One Man Guitar shows pay his bills though they pay less. They have also formed a band with his elder Sister Sarafina, and perform Mugithi together with him, playing lead and rhythm guitar.

Debut Gospel Album and Performances

Now on cusp of releasing his first self produced gospel album, ‘Tondu wi Hinya’ Salim Young is studying Business Management and Entrepreneurship online so he can juggle the recording. Though coming from a rich background of One Man Guitar and Mugithi players, Salim Young admits being drawn to gospel music due to his mother’s godly influence, from a young age. Still on weekends, he performs at Trotters Club in Kenol , Muranga but has performed in Mombasa, Karatina, Banana and Manyatta.

Though not yet complete, ‘Ngatho’ one of the songs in the album done in Chakacha style is receiving airplay at Inooro FM. But Salim Young expects Tondu wi Hinya and Nindoka Mbere Yaku tracks to impact more once released. Having been a committed member of Subukia Town Baptist, Salim Young admits has impacted his creativity. “I think I do gospel music better than secular,” he said.

Composition Style

Salim Young composed the songs by observing people’s lives and trials they go through. The title track Tondu wi Hinya came by watching how people complain to GOD they got no shoes, yet there are those without legs to wear the shoes. ‘Nindoka Mbere Yaku’ was a personal repentant prayer song to GOD for straying away by doing things that may have annoyed HIM. The tune for songs he says he got them from GOD’s revelation and always prays for that. “I can be asleep at 3am and a tune comes to my brain, and I wake up and record it on my phone,” says Salim Young.

Salim Young’s Production Philosophy

For the self produced album he played all guitars in it. But consulted his Dad and seasoned producers in Leemax and Studio Sawa to gain extra production skills to apply in his album. Salim Young believes in producing albums with instruments being played than programmed and loves performing live. “Live music is richer with more creativity without monotony of programmed bass lines,” he said. To him, music needs to incorporate the unique richness and playing style of a keyboardist, guitarist, bassist and vocalists. Though optimistic on his debut album, piracy possibility nags him, but wishes the government was more proactive in fighting it.

Future Optimisms

That however has not stopped Salim Young, from being optimistic about the future and hopes to create music that’s heard beyond Kenyan borders if well produced with top notch technology. “Quality music rich in messages and well played instruments even if people don’t understand the language they will buy it,” he said. Challenges to getting to that level according to Salim Young, remains production expenses, elite recording equipments and instruments. So far his debut album has cost him Sh50,000 to produce. “Yet I can’t release it until I feel its quality my fans will appreciate,” said Salim Young.

To The Fans

To the fans Salim Young says he is just beginning and should be patient and anticipate the music he is set to release. “Once released they will understand who Salim Young musically,” he said. He is grateful to fans and feels this album will be a way of giving back to them, for supporting him and promises to not let them down. “If they give me a chance,” Salim Young told Kikuyu Musicians.

To Book Salim Young reach him on labansalim@yahoo.com

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Martin wa Janet: On musical journey anchored in perseverance amidst turmoil

Tough beginnings in life don’t necessarily mean the ends will be painful. That rings true for one Martin wa Janet 30 years, whose journey to the pinnacle of Kikuyu Gospel Music has been rife with challenges, self doubt, mocking and faith amidst hopelessness. All that has shaped Martin to fully depend and trust in GOD, at all times regardless of the pain through seasons of life.

Early Life

Known for inspiring hits like Nituririkanitwo and Nitumwinyihire with Obedi, life for this turbaned man (mkorino) began in Kihiu Mwiri, Muranga County. He attended PK primary and secondary school up to Form 3 where personal problems forced him to drop out. Hazy about what to do in life, he left Muranga for Kiambu and was housed by Mama Jane. He joined a local akorino church Africa Mission Holy Ghost headed by Bishop Ezra Njoroge where he played drums with vigour. 

In his teenage years, Martin, spent almost 4 years jobless in Kiambu but got a job in a hotel in downtown Nairobi around 2003, where he earned Sh100 daily. The hotel job proved a challenge for his slight frame, and one day the excessive heat in the kitchen caused him to vomit. The hotel owner reprimanded him and Martin begged him to give him one more month. He became a waiter but waiting hassles proved tiring he worked less than 3 months and quit. He also lost his beloved mom that year.

Trials as Matatu Conductor

A man who had a matatu noticed Martin jobless and loitering Kiambu town and offered him a job as a conductor for Kiambu town route 100, a job he did until 2008. As a conductor he desired to sing and after work composed songs but lacked recording money. “My heart was in music,” recalls Martin. He was influenced by fellow akorino gospel musicians like Sammy Nene and Hezeh Ndungu.

As a conductor, wearing the akorino white turban he experienced lots of trials. He recalls a time while hanging on Matatu door his turban accidentally fell off, and a passenger asked him sarcastically asked him what was that, that fell off his head. Also being a born again Christian donning a turban, traffic police loathed him, as he never due to his faith gave bribes. One police got so irritated at Martin’s refusal to bribe that he pulled a turban from his head and threw it to the vehicle. “It was hurtful and being a born again conductor I encountered many problems,” recalls Martin smiling. 

Working with Dennis Mutara

As fate would have it, as a conductor he met famous gospel artiste Dennis Mutara who sold oranges near a supermarket in Kiambu in 2006 while dabbling in his budding musical career. Then in 2008 Mutara released ‘Ngai angikiuga Niukugia’ album which he distributed around Central Kenya with a public address system. Martin joined his distribution entourage and they would go to crusades and open air market to sell them. Martin with funding from Mama Jane recorded his 7 track debut album ‘Ngai niwenjire Githima’ which was played intermittently on radio. 

Still to get the master CD from recording studio took him 3 months to raise sh15, 000. He followed it up with ‘Mwarie ciugo cia Ngai’ and ‘Ngai Tutumire Mundu’ both received limited airplay and acceptance. In 2009 he recorded ‘Mwathani Tuonerie haria tugutheremera.’ 

Breakthrough to Mainstream

Through his albums he got invited to lead akorino ‘kigooco live’ praise in 2010 every Sunday 5am to 6am at Inooro FM at Muturi wa Muiru’s show Kimuri Kia Inooro. For two years He pounded the akorino drums for an hour and sing. Eventually he got invited by Evangelist Lucy wa Ngunjiri to lead praise in crusades by her Beyond Boundaries Ministries. With 6 albums to date ^th album Jehovah ni Muthamaki both played prominently in Kikuyu FM radio stations. 

two songs that brought him prominence are Nituririkanitwo off his latest album and a collaboration with Obedi ‘Nitumwinyihirie’ off the 4

Challenges in Music

To get the recognition he has today Martin admits it’s been hard and he questioned his musical ability and God’s will in his life in the song (Ngai Niwe Niwanduire Mwariria) album 4. He recalls going to major events and selling only two CDs and getting arrested by the city council while hawking his music on a small radio. Potential customers also made false promises to buy his music. One moment that left him shattered, was when he accompanied Mutara to Nanyuki. Martin carried 300CDs for the event and by day 3 had sold 5 only for Sh500. Broke and worse off than he came, Mutara bailed him out by paying for his accommodation and food as his CDs were selling. 

Disappointed, on the last day Martin stood on stage and announced “I want to know if it’s my music you hate or don’t have money,” he decided to sell them at half price of Sh50 to get fare. Travelling back to Kiambu from Nanyuki he felt disappointed but realized maybe GOD’s time had not come. “If GOD has to lift you up, you will be tested by fire so that you are full of revelation,” observes Martin.

Besides lack of money for recording, Martin says getting his music recognized was hard. Having realized there are hundreds of thousands of Kikuyu musicians he knew for his music to reach masses, GOD would have to intervene. “If you are unknown musician you get ignored at events but work hard on your craft and leave the rest to GOD to uplift you,” says Martin. 

First Radio Airplay

Getting airplay in Kikuyu Radio stations wasn’t easy and he savors the moment in 2008 when his song ‘Niwe wenjire Githima’ got played first time on air at Kameme FM. “I felt reborn, reinvigorated and thanked GOD for it,” said Martin. According to Martin one can spend lots of money on recording but what matters is GOD’s favor and prayers. “You can write a song it gets lots of airplay but if GOD doesn’t open the ears of listeners to love your music, it won’t be accepted or bought,” he said. 

Composing Process

When composing Martin reads the Bible for revelation and connects the message to everyday life people go through. It takes him a day or over a month to perfect one song depending on subject matter he focuses on. For the Nitumwinyihirie with Obedi he wrote the chorus, and Obedi wrote most verses, a process that took 6 months to complete the collaborated album. The tune according to Martin comes naturally as he gets the lyrics. Besides the Bible he values listening to sermons as they provide him with songwriting ideas. To produce 1 album costs him around Sh100, 000 with Video shooting included.

Advice to Budding Musicians

His advice to budding gospel artistes is to go into it if one is sure it’s the call of GOD so incase an album flops you soldier on. Otherwise an artiste driven to gospel music for money gets disappointed if his first album flops. He also advises one not to enter music because of a wave. Personally Martin has observed people who sold a cow to record because they saw a neighbor record and be successful. He observes such end selling the CD”s to family or close friends and go back to the village broke and disillusioned. Though piracy has hit him he estimates to have sold almost 100, 000 of his albums VCDs included. 

Notable Shows

Martin has sung in notable shows for Kameme FM thanksgiving at Kirigiti stadium Kiambu, Inooro FM road shows and at book launch in KICC attended by Kalonzo Musyoka. But for a visa denial he was to perform in California accompanying Evangelist Lucy Wa Ngunjiri. The father of one says the key to being lifted up by GOD is by singing from revelation to give hope to the listeners and humility before GOD.

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Kikuyu Music most underrated hit songs and sleeper hits

Ritho Ria Tha

When Kikuyu songs are released and receive airplay, there are those that are instant hits but others lag behind in popularity. For every ‘mabataro’, ‘mwigerekanio’ ‘ahiurania’ song there are three others equally good to be classified as sleeper hits. These songs are unknown largely due to the singer not being a household name like Githae, Musaimo or ND Githuka. We profile some of the songs and their writers below. Some don't have Youtube videos but can be found at Simba Centre River Road, Nairobi.

Ritho Ria Tha: This is guitar driven pop song by the relatively unknown Peter Muiruri with a dominant, vibrant rhythm riff that adds passion to the song. The song is an anthem for those dubbed in Kenya as ‘’safaras’’ or hasslers in informal sector like mkokoteni (rickshaw) pullers or shoe shiners. In it Muiruri acknowledges if God doesn’t intervene in his efforts he won’t be blessed and be rich enough to one day buy a house in Buru Buru Estate.

Andua Aria: A great groovy gospel song by another unknown Jane Mumenya. This song has a catchy bass line and lead rhythm guitar very well produced. Its message is about people who walk and wait on God never grow faint or weary. It’s an uplifting song that uplifts downtrodden spirits and lifts one up.

Gikuu kia Nugu: A gospel song by unknown Sovinga wa Bibiana an underground artist in River Road Nairobi. He collaborates on this hit with Muigai wa Njoroge. Like any Sovinga’s song this requires keen listening to understand its cryptic wisdom for living message. At a snapshot the song theme centers on the saying that when death is near for a monkey all trees are slippery.

Megutha: A song by family counselor and Pastor JJ Gitahi off his album ‘Kinyaga Mbere.’ In the song Pastor JJ Gitahi sings about the love of GOD that compelled him to follow Christ without resisting (megutha). Part of its message is drawn from Matthew 8:20 of foxes have holes. Its simple yet profound and played with strong lingala influence.

Andu Marekanire: This is a song by Ndindiko wa Waithaka of the Githingithia comedy fame. This is an apology and asking for forgiveness song by Ndindiko. In it Ndindiko apologizes to former girlfriends he had promised to marry and anyone he wronged. He acknowledges his earlier years naivety as the reasons he committed all those wrongs.

Mwihodotoro: An original song by the King of Mugithi Mike Rua. This is a relatively unknown song but is actually quite catchy. In a snippet of the song Rua thanks the person who first gave him a guitar for free when he could not afford it. He chronicles his early musical beginnings and in chorus urges a guy to stop complaining and eat vegetables called managu in kikuyu and sleep. The song is worth a listen if only for its combative vocals and great rhythm guitar playing.

Wikore: A gospel and wisdom for living song by Muigai wa Njoroge. This is anthem for the downtrodden struggling to make ends meet. Drawing on his own poverty past Muigai urges listeners to trust God in their sufferings as one day they will be exalted and be rich. The song has some nice vocal harmonies, keyboards and a background guitar riff it’s mournful but makes for a beautiful listen.

Tiga Niwe: One of the best sleeper kikuyu gospel hit song this 2013 by Beatrice Wangui aka Jordan. Once You listen to its message, You will understand why it’s a divine tearjerker. Its production is exquisite and the message by Wangui just acknowledges God goodness and faithfulness. In it Wangui sings if it were not for GOD she would not have been born again. It’s off her new album Kiambiriria.

Hau noho: A gospel song by Mirugi Dishon of Matiribu fame off Mirugi’s new album Matiribu. In the keyboard driven song, Mirugi urges Christians to be patient and wait on GOD. It draws on Biblical stories of Hannah and Peninah.

Korwo Ngai: A song by Wakabura Joseph. He chronicles his difficult beginnings in life the pain and suffering he went through to get to the pinnacle of Kikuyu Gospel. He urges the listeners to not quit when GOD is molding them to eventual greatness.

Githaa: A song by John Muchira a wedding MC from Kirinyaga County. The song is well produced and encourages listeners to wait for GOD’s perfect timing only. He acknowledges GOD is never late and is always on time.

Iremithia: A gospel song by an unknown Helen Wagio. In the song she prays GOD to remove obstacles hindering her from accomplishing her lifelong goals. It’s an uplifting anthem that lifts ones spirit to look to GOD as their source.

Gachomo Foreman: A song by Njuguna wa Lucy produced by Studio Sawa. This is wisdom for living song about a Gachomo character who worked as a building foreman. He used to swindle the company he worked for and steal money from builders working under him. Gachomo had such a big ego that he tied his trouser in high waist. Unfortunately luck run out he was caught fired became so broke that today he operates a beat up puppet near Shooters Githurai and receives coins from well-wishers and passersby incidentally he hated coins when he was a foreman.

These are not the only songs we consider sleeper hits. There are other sleeper hits from unknown Kikuyu artistes. If you know a sleeper hit from an unknown musician comment below this story or interact with us on our social media pages below.

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DK Karanja: ‘Mukunyururia’ singer shares his passion for God in Music

Daniel Kamau Karanja popular in Kikuyu Gospel, as DK Karanja is known for songs about everyday situations people go through and God’s purpose in them. The songs soft, prayerful melodic deliveries by Karanja is exactly what he asked God for, when he knew he was called to gospel music.

Growing Up

Though he released his first album in 2007, as a young boy born in Nyathuna, Kiambu and growing up in Narok, Karanja loved singing and also hoped to be a preacher. His mother, quarreled him for his love of hitting anything metallic like sufurias, milking buckets and kettles to create melodies. After 1992 tribal clashes forced them to relocate Kiambu from Narok he began to sing. But it’s after, he got born again in 2000 he sensed he was called to gospel music. His prayer to GOD was to sing uniquely and in a way that would make HIM be honored by listeners.

Early Struggles and Influences

He got a job as a matatu driver and saved money aiming to record one day. Money was hard to come and getting shillings 20,000 to record was beyond him. He joined a merry go round scheme where they saved money and got paid in turns Sh6000 after 30 days. In that time he listened to songs of other musicians and correct mistakes he viewed existed. His aim was always to sing from Godly conviction and will not for fame or money. “There is a way GOD requires us to worship HIM, not all songs we sing to him please HIM,” Karanja told Kikuyu Musicians.

Then he admired music by ND Githuka, late Anastasia Karanja, Milkah Muthoni, Julia Lucy, Elizabeth Nyambere and Njenga wa Cucu. “You can sense a touch of GOD in their music it’s not something they were dabbling in,” observes Karanja. He admired their songs that challenged people to live right with GOD. Up to when he released his first album, Karanja learned lessons on waiting on GOD. “A child can’t be born and eat Githeri tomorrow there is a need for growth,” said Karanja. For him GOD “delays” are vital to ensure we are not conceited after getting quick blessings that can lead us to self destruction. “Motivation shouldn’t be about money in gospel music,” he said.

Recording Debut Album & Discouragements

When he was ready to record, he had Sh6000 but the producer agreed to record him after promising to later pay the rest. His aim for the album was to convey his musical thoughts without interference by the producer. He released his debut album Jesu Nyita na Guoko in 2007. The album was initially not well received due to lack of radio airplay. “Acceptance for music in the media is at times hard,” Karanja observes. He took his album to Kikuyu radio stations around 10 times without any airplay. He even got a painful verbal barb, from a radio presenter who called his songs too mournful for radio. Another told him they had deleted them from their database.

Nonetheless, Karanja soldiered on without taking any hurtful statements personally. “Today I see the presenter though he is ashamed I don’t have hard feelings,” he said. The saving grace came through Skiza tunes by Safaricom once Karanja got his music there, it became popular. Later, the media picked his songs for airplay. “Skiza popularized my songs,” he said. Through that he advises budding musicians to never give up and be sure if GOD called them, the gift in them will flourish in due time. He also urges them to not take seriously anyone who belittles their GOD given musical gift. “So long as GOD who called You, hasn’t told You he can’t help You, why give up,” Karanja asks.

He followed his debut album with Ndakwambararia na Ngugoce album in 2009 which proved popular as well as his third album Nii Ningwitheria. His latest album is Mukunyururia whose title song has proved to be a spiritual anthem for those in tough times and getting mocked. Its message is from the story of the mocking Hannah endured from Peninah due to barrenness in the Bible. “At times you require an enemy to get You out of complacency and passivity and know what you lack,” said Karanja.

Composing Style & Piracy

When composing Karanja observes situations (good or bad) people go through and GOD’s purpose in them. According to him humanity suffers from common problems, in lack one may lack clothes another food. From such he gets a message first and then a melody follows. The Bible and Rhema word helps him have a revelation of how to contextualize GOD’s solution in the song for the listeners.

Though piracy has hit him, he has managed to sell 0.7 million songs and albums. “GOD has favoured me,” said Karanja. Piracy, Karanja says it won’t hinder him from delivering GOD’s message to people in songs. “A mole can’t stop a farmer from planting but those who feed their children by stealing are cursed with them,” said Karanja. He sees piracy as a blessing in disguise as GOD’s message reaches more people though he loathes it.

Motivation in Gospel Music

From observing today’s gospel music scene, Karanja is sad some people are in it for selfish motives like greed for money and fame than glorifying GOD. “Be in it according to GOD’s will only, the love of money is dangerous and makes people kill,” he said. Though open to ministering internationally, Karanja would shun invitations however lucrative whose motives are not GOD centered. “I don’t sing to please people but if GOD is honored people know HIM,” Karanja said. He recalls a person who told him his music wouldn’t sell since it’s not too modern or danceable but it never bothers him.

“There has to be a clear difference between gospel and worldly music,” Karanja said as GOD looks at the heart not the movements. These days unlike before, he is inundated with invites to an extent he can’t keep up with them, but is grateful to GOD for there were times they lacked. He markets his music in crusades and churches. He also appreciates the role stations like Inooro, Coro and Kameme FMs have had in making known his music. “They even call to ask if we got new music,” he said.

Challenges and Handling Them

Challenges, Karanja says shouldn’t faze us, as they are common to all, but leave us loving GOD more not shunning him. “Problems mould you so that tomorrow you are not prideful,” said Karanja. He has been in events where people have told him he can’t sing and refused a chance to. Nevertheless music is rewarding as his main source of livelihood and educates his children. Through music he has begun businesses like construction of buildings, hiring out public address systems and shooting videos.

Hope for the Future

In future he aims to expand his business to create employment in his Stardan video and music production company. His music is available in Simba Centre river road. He encourages musicians to invest in other sectors as it not guaranteed money from music will always flow. He urges people to know that GOD thinks good of them. “Better the problems of today with promise of a blessed tomorrow,” Karanja said. Of his 4 albums, Karanja’s favorite is the debut, as its all where his musical journey begun. “If we repent and follow GOD, HE will bring us to our vision,” said Karanja. Karanja’s contacts are +254 725 592 168.

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Ngaruiya Junior: from a rebellious drug addict to King of Kigooco (praise)

In recent years, 30 year old, Ngaruiya Junior has established himself as Kikuyu Gospel music’s go to praise leader earning him the nickname King of Kigooco. He has revived traditional Kikuyu gospel praise songs by putting instruments on them and re-establishing their mainstream popularity. So popular are the songs, they have eclipsed his original compositions. His new album is Jehova Nitwaguthaitha will be launched at Dominion Chapel Ministries, Kiserian September 15^th 2013.

Early Life

Today in any event Ngaruiya leads praise; crowds are revived when he sings the Kigooco songs like Jehovah Mwathani, Mwathani Wakwa, Wi Mutheru Gocai Ngai Witu and Paul andikiire Kanitha. Though passionate about GOD today, Ngaruiya early life growing up in a Pastor’s home was laden with drug addictions, street life and rebellion that led him to quit school at class 6. Born in Kwambira, Limuru, Ngaruiya went to Kimiriru Primary School and at an early age got into bad company.

Wrong Company

They vandalized toilets, stole fruits from farms and even stole from churches including his father’s tithes and offerings. As a group of 4 boys’ money the stole was spent wastefully on eating mandazi’s. Later Ngaruiya was caught by his Dad and church members and spent two days in police cell. He was released on promising he would go back to school. Getting home, he threw his school uniform in a pit latrine and ran away from home to Nairobi to be a street boy. “I never lacked anything, my parents always provided every to my every need,” recalls Ngaruiya.

Street Boy and Addictions

That begun a downward spiral of addictions to bhang and glue and eating from garbage dumps. Life in Nairobi streets was hard, and Ngaruiya briefly returned to Limuru environs and begged food from people. Addictions also took their toll and Ngaruiya and the boys made Kikuyu Cemetery their home and slept there. For the 6 months he run from home, his parents reported him missing. “I’d hear on radio they were looking for me,” Ngaruiya told Kikuyu Musicians. The turning point came when he learned his aunt from Kimende had died and attended the funeral. At the funeral he was unrecognizable with his dirty street boy clothes, he saw his granny from Subukia he loved, and approached her.

Path to Redemption

The granny told his parents and through her, begged Ngaruiya to come back home. He promised only if he would be allowed to relocate to Subukia with his granny. The parents obliged and gave his granny money for clothes and provision. It was at Subukia, the urge to go back to church arose. He joined a Full Gospel Church, incidentally attended by a Kikuyu gospel duo called mother and son. He began singing with the church’s youth group after apologizing for his past misdeeds.

“People loved my singing,” Ngaruiya recalls and being mature he was asked one day to preach at a youth event. After preaching 40 people got born again, when he asked to be prayed for salvation 20 more people were born again. Life at his granny’s in Subukia consisted of Ngaruiya in casual labor of digging at other people’s farms. Later he got employed at Subukia Posho Mill which increased his visibility in the community, in addition to being active in Christian youth groups. “We used to sing in crusades, churches and funeral wakes,” Ngaruiya recalls.

Debut Album

Through those connections he got employed by a Pastor in Nyahururu to lead praise and worship in his church for Sh1000 a month. Though the pastor loved him, the wife hated Ngaruiya and even denied him food. “It was a hard life I used to go without food until the next salary,” he said. By close of 2000 he had saved some money to record his debut album ‘Jehovah wi Ngai Munene.’ He had also reconciled with his parents and his Dad, Harun Ngaruiya, who chipped in to help Ngaruiya record it in Nairobi.

He moved back to Nyahururu stayed a while but went back to Subukia at his granny’s. In those two places he managed to sell over 500 copies in 3 months. “I’d sell in crusades and in village funeral committees,” said Ngaruiya. Doors opened, and when popular gospel musicians like Hezeh Ndungu visited Subukia Ngaruiya performed with them. He later relocated back to his parents in Limuru.

Connecting With Anastasia Karanja

With Nairobi in proximity, Ngaruiya got connected to his musical mentor the late Anastasia Karanja of ‘Ino Ngoro’ fame. She mentored him spiritually and taught him to sing. Through her, he got invites to sing where she ministered like Keshas (overnight prayer vigils). To increase his reach, Ngaruiya also looked at newspaper obituaries to know who had died. Even without having known the deceased he would request presiding ministers to let him sing a song loved by the dead persons. Pastors obliged and he would sing and never charge anything. Several trips like those made Ngaruiya known.

Singing in Funerals

By the time Kikuyu radio stations knew him, he had already established himself in gospel music in Central Kenya. “Strange I got know from singing in maombolezi (funeral wakes),” said Ngaruiya. With Anastasia they founded an overnight prayer vigil called My Night with the King. Later on with KK a minister in Coro FM they started a church from the Keshas. Of his 10 albums so far he has 5 with Kigooco classic songs produced to capture the modern musical sound with guitars.

He also has done an original worship album ‘Jehovah ni Twaguthaitha.’’ He admits to love traditional Kigooco songs due to their longevity and their ministering influence never wanes. His advice to budding musicians is patience not expecting instant success. Mingling with people to increase talent exposure is vital according to Ngaruiya. Though piracy has hit him hard Ngaruiya sees it as a blessing in disguise as it increases his music’s reach. “If piracy hits You, know Your product is good don’t give up,” he observes.

Composing and Elevation to Prominence

When composing he gets a tune and message in tow. “It’s hard to explain, but it comes from GOD,” he said. His gifting has enabled him to sing for big shots in government like current President Uhuru Kenyatta he considers a friend. Internationally he has performed in Uganda and will perform in UK in December 2013. He aims to widen the reach of his music internationally in Africa and beyond. He is active in social media like Twitter, Linked In and Facebook and MCs events like weddings.

Importance of Prayers by Parents

Looking back, Ngaruiya admits he could not be where he is, were it not for his parents’ encouragement and persistent prayers when he was a delinquent. He advises young people to avoid drinking or drugs as they will ruin their futures. Having been a Pastor’s Kid (PK) Ngaruiya cautions church members to pray for their pastor’s families and homes, as the Devil targets them much, to destabilize Pastors from doing effective ministry to congregants. ‘Menyithia Mwathani Mathina Maku’ (tell Christ Your problems) is a song he wrote when he passed through troubles. In the song he prophesies to himself that he will be rich and out of those troubles. “I am doing well today,” he chimes in with a smile.

Mentoring Budding Musicians

Today he performs over 10 shows in a weekend and mentors over 10 budding musicians. Some he mentors include Uncle Ken wa Koimbi, CB Sir and Sammy Boy. Any budding musician he comes across Ngaruiya first establishes if he is forcing the musical talent or not. If he senses it’s there he takes him to the best studio. On recording he advises them before submitting the record to radio stations or an audience to listen first. “If it doesn’t make you happy, it won’t make a stranger happy,” he cautions.

Humility is also key to success “love GOD, walk humbly, pray and GOD will exalt you,” Ngaruiya said. For a man who wished to be a Kenya Power engineer he says now his heart is at home singing gospel music.
You can contact Ngaruiya on www.facebook.com/pages/Ngaruiya-Junior-Na-Mafans/243532435720466 or via email ngaruiyajunior@yahoo.com or juniorngaruiya@gmail.com 

By Kikuyu Musicians Copyrights

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Modern Kikuyu Worship Classics Songs

Carol Wanjiru

From time to time in Kikuyu Gospel, there comes along artistes who craft Kikuyu worship songs that take us into deeper knowledge of Jesus Christ. Some of the artists may not be famous but their songs touch us. For some it might be the only song(s) they are known but others they are prolific. Nevertheless let us celebrate them. We are not suggesting these songs are the only ones, If You know others kindly leave comments below this post. Some may not even have audio or video on Youtube.

Munduiriri - This is a song by Carol Wanjiru from Uthiru. This song was composed from her personal experience on a painful broken engagement. This prayerful song is basically about praising God regardless of your current situation. It praises God as the one who fights our battles. She also has other modern worship classics like Munguuri and Turi Uhore all worth a listen.

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Muhaturi – This is new song by a new artiste Freddy K. Its prayer and deep complemented by sultry female back-up vocals. This worship song is about GOD who is our rescue in times of our troubles. Freddy praises GOD as the one who is his rescue in times of troubles. It’s worth a listen when one feels discouraged or low in life.

Muguthaithi – This is a song by Mercy Ken. It’s basically a song on worshiping God day and night. Mercy Ken also thanks God for making her a worshipper. The song has been around for a while getting airplay from all stations like Inooro, Coro and Kameme FM.

Niwikite Magegania – This song by new artiste Sammy Irungu is currently ruling the airwaves. In it Irungu praises GOD for perfoming miracles that he even can’t explain. When Irungu performs the song even people who are seated stand up and worship their arms up in the air.

Kiriga – This is a song by the prolific, worshipper from Nyeri, Charles K Kingori, it’s from the album by the same name. In the song Kingori sings about the wonders of GOD that leave him in awe and wonder. Its message is borrowed from the old and new testament in the Bible. Kingori as a relatively new artiste in Kikuyu music has cut a niche of writing songs with Biblical messages. His trademark in his songs is the constant refrains in nearly all of the compositions. His other worship songs are Mahindi momu, Ngai Kihoti, Njamba ya Ita and his latest Ndi Murathime.

Hau Noho – This is a song by Mirugi Dishon of Matiribu fame. Of the songs in the list, this is one least played anywhere among the three stations of Inooro, Coro and Kameme FM. It’s what one would call an underground hit which Mirugi sings in churches or crusades. The song’s message is about waiting on God patiently without giving up. Its melody is driven beautifully by a keyboard and drums and faded guitar melody. It borrows heavily on Bible stories of Hannah and Peninah.

Nyitagirira – This is a wonderful song by Esther Muthoni based in the US. It’s beautifully produced and speaks about God being our refuge. In the song Muthoni speaks the song from Bible verses and the chorus is about God holding us up so we don’t faint or fail.

Moko Marathime – This is a song by Njuguna Gicheha also an actor in Kameme FM’s Micii ni Ndogo as Man Nyari. The song borrows heavily from the Bible story of Adam and Eve and their being expelled from the Garden of Eden. The song is about God blessing the works of our hands and whatever we do prospering as a result. Gicheha urges people to prophesy positively about the works of their hands. It’s one of the most requested songs.

Mutharaba: This is an old song by Pastor Isaac Kahura. In the song he urges the listeners to carry the cross of Christ without compromising regardless of the situations. He narrates a story in there about a man who patiently carried the cross without cutting it and was able to cross the river with it. Yet there was another who cut his cross to be lighter and couldn’t use it as a bridge to the river.

Mawiko: This is a song by ND Githuka of Ahiurania from the Mawiko album. The song is about God’s doings, blessings and His everlasting mercies. In it Githuka also sings about GOD who blesses everyone who pleases. The album also has hits like Dekapoli and Hingurira.

Jesu niwe Hitho: This is a timeless 90s worship classic sung by Geoffrey Wachira. In the song Wachira praises Jesus as his hiding place in times of turmoil. He commits to make Jesus his refuge and strength in all the days of his life. No audio/video available on Youtube.

Nii Nindiriirie Guguturira: This is a song by Milkah Wanjiru also of Nithengiu Ngai Wakwa fame. The song is about desiring to live for God all the days of life. In the song she prays to God to give her a heart that fears the Lord. It’s a worship song easy to sing and remember. Wanjiru based in Naivasha is not much known but her songs bless us.

In case You may want to get these songs visit our Fan page on www.facebook.com/kikuyumusicians or write us on kikuyumusicians@gmail.com or follow us on twitter at www.twitter.com/kikuyumusicians . We will help out.

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Kaka Man Nduati: The singing cop shares his passion for music and law enforcement

Today, the man born in Kandara, Muranga in the 70s as, Isaac Kibugi Nduati is popularly known as Kakaman Nduati the singing cop or ‘msikari mwimbi’ in broken Swahili. With 11 albums released to date, the latest being clearing and forwarding ‘wendo wa teargas’ Kakaman Nduati is at ease juggling his twin loves of law enforcement and music.

Growing Up

Growing up as young boy, Nduati counts himself fortunate, he identified his love of creative arts as early as when in Class 3 in Mahutia Primary School. He was not just an active participant in church and school, music and drama festivals but he led most of them. So much so that his relatives told him he took after Kibugi a grandfather he was named after. In his hey days, the elder Kibugi charmed ladies when singing ‘Kibata’ a Kikuyu traditional dance.

At a young age Nduati, loved to listen to Joseph Kamaru’s music especially ‘Muhiki wa Mikosi’ and DK Kamau. By the time he was in Class 7 in 1987, his talent blossomed and at school music festivals he got to provincial level through a solo folk song he performed. His headmaster then Mr Ngomi encouraged him in his artistic pursuits. By class 8 he topped all festivals church and school he participated in some pieces he also composed. After primary school he got admitted to Kiruri High School and all fired up to perform arts in high school.

High School Artistic Exploits

In Form 1 he dived straight to arts and even began coaching Form 4’s in preparation for the festivals and leading some of the compositions. Nduati’s immediate creative influence was visible as Kiruri High for the first time got to district level. In Form 2 working in tandem with their patron they prepared 7 artistic pieces of which 5, took 1^st place the rest 2^nd place at divisional levels and they proceeded to district levels.

For all their artistic exploits, the school principal didn’t share in their celebration. Instead the group got wind on the eve of district festivals that they had been banned from performing at district level. The group led by Nduati took their grievances to an educational officer in Kangema who organized a bus from Kangema High to pick them at 5am at the parade ground on material day. They proceeded to Kigumo Bendera for the district festivals without the blessing of their principal and their patron not informed. Of the 7 pieces they performed 2 were number 1 and another number 2, and had qualified for the provincial level.

The education officer who had assisted them facilitated the group with expenses to perform at provincial levels where they got to second place. That weekend they came back to school with 2^nd place trophies and certificates from zonal level and on Monday during parade presented them to their patron. Their prinicipal was livid and before he could suspend the arts group led by Nduati a school strike happened. As a result most of the arts group led by Nduati was expelled for good by the school board as they were perceived as strike instigators.

Light Bulb Moment

Looking back, Nduati says the expulsion was a blessing in disguise and it shaped the person he is today a soldier musician. His father was bitter with him over the fees he had paid for him. However Nduati promised that he would get another school and be admitted. He got offered a place at Gaichanjiru High School but settled on Gituro High School due to its emphasis on performing arts. An arts teacher Mr Omurunga who had adjudicated Nduati in the past, pleaded with the principal to admit him on learning he was expelled at Kiruri over his love of performing arts.

Since Nduati hadn’t studied third term of Form 2 he was examined to see if fit to be in Form 3 in 1992. He did well and was admitted in Form 3. The day he officially reported the drama group patron Mr Omurunga gave him a script. He played the lead character ‘Magoto wa Gituru’ which became the talk during festivals. From zonal to provincial level Nduati won best actor but for the play Damu that didn’t proceed to nationals. However, in the second term during music festivals Nduati won best soloist for a vernacular recital (marebeta). “It wowed people,’’ he recalls.

Form 4 however served as the ultimate climax of Nduati’s artistic exploits in high school. He was made the entertainment captain and composed a ‘marebeta’ title ‘Unduire Witu’ that won up to national levels. That opened a door for Nduati to perform to Kenya’s former President Moi at State House Nairobi. The president though not understanding Kikuyu was left in stitches and the education minister then JJ Kamotho was his translator. “By God’s grace I was able to balance my studies and arts and didn’t fail the final exams,’’ Nduati told Kikuyu Musicians.

After High School

After high school, he was called back by Gituru High principal to coach the arts group. He co-wrote a play with Mr Omurunga titled ‘Nguvu za Giza.’ One of the best actors to emerge from the play was Ann Ngugi of K24. In 1996 he tried out for the police and was selected and joined Police College at Kiganjo. Afterwards he was posted in Nairobi with rank of constable and used to do patrols around Nairobi. Then his musical gift was still bugging him. When Nduati got the opportunity at events or clubs he sang songs of musicians like John Ndemethiu or Mugithi which towards late 90s was beginning to be popular. “People would appreciate,” Nduati recalls.

Musical Debut

Tired of singing other peoples songs, he financed and released his first album Cecilia in 2006 which was a hit. In it was the song ‘Ngai teithia Thigari’ (God help the cops). In 2007 he sang a political album ‘Kibaki Tena’ for Kibaki praising him for his development record. Album 3 was ‘Muhunjia Opposite’ a satirical aimed at false preachers which also had a song ‘Susanna Kurungara.’ Album 4 was ‘Kiwendo Kia Nguvu’ in 2008 with a peace song ‘tutikanacokere mbara’ after the post election violence skirmishes.

Road Accident

In 2009 Nduati was involved in an accident within Nairobi when a tuk tuk he was travelling on was hit by a matatu and fractured a left leg. While in crutches he did a gospel album ‘Massage ya Kiroho’ as a thanks to GOD for sparing his life. He admits it didn’t do well and I felt maybe I wasn’t called to be in gospel music. Album 6 was a hit propelled by title song like ‘Afande inthe Box’ based on a true story Nduati investigated as a police officer. It’s based on a man conned by a lady who was an inmate. It also had ‘Konje Gakwa’ another hilarious yet popular song and ‘Nyagu Gakwa’ a high energy drum dominated dance track.

Album 7 was 'Nimugucua' which also did well as per Nduati. Album 8 Mama Dondosa churned out perhaps Nduati most popular Kikuyu Songs like Kindiria Urimu and Ngero Ya Mbia. The two songs are hilarious and comical as Nduati sings them as imagined stories. Album 9 titled Nani Yuko Salama followed. It’s a Swahili album that touches on dangerous issues police go through in line of duty. Album 10 titled ‘Nyumba Ya Uthamaki’ was a political album released early 2013, praising Uhuru Kenyatta on his election as Kenya’s president. The album sold around 5000 copies on release in TNA strongholds of Central Kenya.

Latest Album

His latest album 11 features Clearing and Forwarding/‘Wendo wa Teargas’ song and was released July 1^st 2013 about a lady Doctor who fell in love with an police officer quelling riots during a doctors strike. The officer provided the lady with water to wipe her eyes off teargas. The album also has a song on national cohesion titled ‘Twendanira’ and another ‘Maitu wa Ruriri on Mama Ngina Kenyatta.

Compositions

Nduati admits in his compositions he incorporates various genres like Chakacha, Pop and lingala. “I sit down with my instrumentalists and instruct them how to play,” he said. Composing for him comes naturally almost like a spiritual experience that hits him even when he is working as a police officer. “It’s something abrupt,” says Nduati. ‘Mama Dondosa’ and ‘Afande in the Box’ have sold 15,000 coped and Nyumba ya Uthamaki 10,000 as per Nduati.

Music and Police Duty

As a singing police officer Nduati is appreciative of his seniors who have never hindered him from engaging his talent. Now in Matuu Nduati appreciates his boss Superintendent Joel Sang who is supportive of his musical endeavors. For him though music earns him more he is passionate and proud police officer which he will be until he retires. “That title the singing cop makes me proud,” he said especially when in events or clubs where fellow cops, warders or army attend. “They cheer knowing that is one, of their own,” said an overwhelmed Nduati.

When in police duties he admits with a laughter at times finding it hard to arrest people. “Its my job but I thank GOD I’ve never been in dangerous situations even when I was in patrol Nairobi,” he adds. As he is based in operations room in Yatta Police division that gives him flexibility to compose songs as his police work is from 8am to 5pm job. Most of his shows are on evenings from 8pm on Fridays and Saturdays on those weekends he is booked to perform. “Having seniors who support is vital, I’ve never been harassed for singing,” said Nduati. None of Nduati’s two sons have an interest in music. His first born is studying Bachelor of Science in statistics at Kenyatta University the younger in Primary school.

Nduati admits he is open to performing outside Kenya if given a chance. Radio Jambo owned by Njoki wa Ndegwa, in Boston recently interviewed him asking when he will perform. “They play my songs there,” said Nduati. His most memorable performance was in 2008 before he had an accident. Then he was involved a promotion that cemented his status as a central Kenya performer. Fans can interact with him at www.facebook.com/officialkakamannduati

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Ben Githae: The “mabataro makwa” hit maker shares his colorful musical journey

Before Ben Githae, sung Kikuyu gospel music for Kenya and the rest of the world, his first audience as a young boy growing up in Nduthi-Ini Village, Gatundu South comprised of coffee pickers. Instead of picking coffee, he would be perched on a coffee tree and singing for those picking. “My passion for music started at an early age,” remembers Githae.

Growing Up

He attended Muthurumbi Primary School and at that age knew he had a special gift among his peers of memorizing songs. As he remembers once he heard a song, he needed to hear it just once more, to be able to memorize it all, without messing any word. “I think I loved singing more than I do today as then I was a fan today other people are my fans,” Githae told Kikuyu Musicians. At primary school, other children came so he could copy songs lyrics for them. That led him to be nicknamed ‘Karendiu’ (small radio) for his love of anything singing.

Early Musical Influences

In the era of mid 70s the likes of John Ndichu of ‘Cucu wa Gakunga’ fame and later Mary Wambui, Mary Atieno, Shari Martin and the Kassangas in the 80s were musicians Githae admired. In primary school he was the vocalist during school festivals. He also at an early age was involved in Kikuyu children radio programs at KBC hosted by Jemimah Mwaura like Nyihia Hwai. Those programs used to tell stories of Wangombe wa Ihura and Githae would also sing on them.

Afterwards he went to Ituro high school where singing took a backseat to acting though he still sang traditional songs. “I was a very good actor and well known in Gatundu,” said Githae. After high school and getting a C+, his grandmother employed him, in her Posho mill as Githae explored his college options. Incidentally another now famed Kikuyu Gospel Musician Jane Muthoni used to work with Githae in that Posho Mill. Jane Muthoni, has actually composed a song “Ciugo Cia Kanua” based on her experience working in that Posho Mill owned by Githae’s grandparents.

Entry to recording

Working there, did not dim Githae’s musical aspirations in the village he was known as Githae of Carry 1 who loves to sing and works in a Posho Mill. Carry 1 was his grandfather’s nickname. Then in 1994 he got born again and with Jane Muthoni they used to compose songs at the Posho Mill. They also began leading praise and worship in churches around Gatundu and got many invites. “But we were good according to village standards,” recalls Githae laughing. In 1995, Githae composed ‘Mwiri Uyu’ while Jane also composed the famed hit ‘Giagai na hinya mwi thiini wa Mwathani.’ He desired to record.

People advised him to tape himself in a cassette then, approach a producer with recorded material. He approached Joseph Kamaru in 1996 with samples and Kamaru felt Githae could sing. As he had no money to record, all production expenses were shouldered by Kamaru. His first album ‘Mwiri Uyu’ was released that year. Githae remembers challenges for a budding musician then, wishing to have music receive radio airplay on KBC was that one had to go through known producers. Then it was the era of producers like Kamaru, Kassangas, Kimani Thomas and Wamaitu Productions.

Parental Resistance

The desire by Githae to be a musician wasn’t shared by his mom. Among the college options explored for Githae by his aunt was studying to be a teacher. There was also an uncle who could have connected him to study in medical college as a clinical officer. But Githae was adamant he wanted to be in music. This irked her mother, to thinking he was crazy. She would challenge Githae to be in a respectable dignified profession like a teacher or clinical officer not a musician. He persisted on his stand and in 1996 released ‘Mwiri uyu’ produced by Kamaru.

“I didn’t earn much from the album, the terms were awful but all the same I became a musician,” said Githae. The agreement with Kamaru was that per cassette sold he would earn Sh10. However for him to start earning the Sh10 per cassette, Kamaru would first have to sell 2000 cassettes to offset his production expenses. Still he managed to sell the 2000 copies and started receiving the cash.

For his second album he approached Peter Kigia who had better terms. Kigia gave him a down payment and per cassette sold Githae would earn Sh20 since he perceived Githae would sell and had talent. There he released a famed Swahili album “Chunga Ulimi Wako.” In 2002 he decided to self produce and around then Kameme FM had launched so for Githae who was a household name taking his music there was easy. He released ‘Aganu no Marithira’ he would sell it in crusades and churches and also released ‘Ndathima’ album. In 2005 he released ‘Nigukwagira.’ But in 2006 Githae decided to modernize his recording from the River Road style.

Kisima Award

The next album was produced at an up market studio in Westlands. It produced a monster of Swahili hit ‘Mulianza na Roho’ that won Githae a Kisima Award. In 2007 he released ‘ona ageria niekuremwo’ album that had hits like ‘niwe unjikite uu Mwathani’ and ‘irathimo Ciakwa.’ The following year he released ‘Timiza Maono’ a Swahili album. In 2010 he released the famed ‘Mabataro Makwa’ album which was a crossover hit among various tribes in Kenya. In 2011 he released ‘kaba kwiyaria’ and ‘witue mundu’ albums the latter a wisdom for living hit. In 2012 he released ‘Tabia Mbaya’ album and his latest in 2013 is ‘Guthii ni Guthii’ with hits like jubilee.

Composing Style and Mabataro Makwa Influence

Being such a prolific musician, when composing Githae draws song writing inspiration from situations he observes and the Bible. He also strives to make his songs relatable to everyday living. “Ultimately it’s GOD who gives me revelation,” said Githae. For his cross over hit ‘Mabataro Makwa’ he composed the song while on a plane from US to London seated near an old white grandma from UK. As he assisted her buckle and open a can of soda, the grandma would narrate to Githae of how rich she was, and properties she owned but not in a prideful manner. She told Githae, all she does nowadays is travel around the world to see her children and grandchildren.

As he flew from UK to Nairobi inspiration for ‘Mabataro Makwa’ hit Githae and the song about him desiring to be blessed by GOD abundantly occupied him. In the song there is a phrase if GOD created the earth and heavens by his Word, fulfilling Githae’s needs is no big deal to him. When he landed in Nairobi he polished the song that subsequently became a de facto spiritual anthem to every Kenyan, with needs waiting on GOD to fulfill them.

For Githae, composing comes chronologically like a story with melodies in tow. But there are songs that are problematic that he at times has to rest when composing and resume later with a fresh outlook. “ But others take 20 minutes,” he said. He attributes the longevity of his songs to GOD’s favor and also writing messages that relate to people and are Biblical. He points to a song like ‘Mulianza na Roho’ to illustrate how that Biblical message he based the song on, as still relevant today.

Humility amidst fame

Regardless of the fame he has received, Githae regards humility as key to exaltation. “Don’t let the celebrity mentality get into your head you will become prideful,” he said. “Let your songs go up in fame and leave you down here as Ben Githae,” he adds. According to him songs are the hit not the musicians. Though piracy he admits has hit him, he says advances in technology have opened other avenues for earning through music like Safaricom’s Skiza tunes and ringtones. “Concerts and shows I perform in can’t be pirated and I can’t complain, GOD has blessed me,” he adds.

Memorable Performances

To date Githae cites 3 shows as his most memorable performances. The first was in Nyayo Stadium hosted by Kameme FM where on taking the stage, people left the stands and run to the pitch to sing. The other was in Nyeri during the launch of Kikuyu Bible where Kenya’s former president Mwai Kibaki was attending. As Githae recalls, the former president even stood to sing and sway to the music which is uncharacteristic of him. The last event was by Safaricom in Meru, where he was a supposed to be a curtain raiser to the likes of Jaguar but he instead eclipsed them. “I went to that stage and the crowd atmosphere changed it gave me lots of joy,” Githae remembers.

Advice to Upcoming Artistes

His advice to upcoming musicians wishing to make it into the industry is to have their music professionally produced and aggressively push it to radio and TV. “Still it’s all about GOD’s favor and timing when it’s your time HE will make a way,” says Githae. Besides singing, Githae plays drums and by his humorous admission, is an amateur keyboard player who plays at events when no one else is available to play. He also prefers to sing live if instrumentalists are available than with playback.

For this father of two daughters, His faith in Christ guides him and has to coincide with his music to avoid misleading people. This year 2013 he turns 40 and is not ashamed to admit it.

Kikuyu Musicians Copyrights 

Kikuyumusicians@gmail.com

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Jerrie Jesh:Ushering a new era of gospel musicals at River Road Nairobi

Though not famous as her contemporaries in Kikuyu Music in River Road, Jerrie Jesh a gospel artiste, actress and script writer is ushering a new era in River Road of making gospel musicals. Already, her first production in 2013 Munabii wa Maheni (false prophet) starring Kikuyu comedy legend Wandahuhu has sold over 3000 copies amidst the piracy.

Early Life

Jerrie’s musical roots began when growing up in Makuyu where she sang in the church and school choir as her parents were devout Christians. Her early influences then were Machakos Town Choir and Tanzania’s music that played on Kenya Broadcasting Corporation (KBC). When she came to Nairobi in 1991 aspiring to record she couldn’t. Then it was impossible for her to self produce and she had no money. So she just composed songs and stored them. She nonetheless, continued in music business by selling cassettes she bought from Uganda and Tanzania.

Influences

Her musical role models then were Joseph Mwaura of Muthini wa Ngai fame. “I used to follow them where they sang,” remembers Jerrie. However all her compositions were stolen when her house was burgled around 195 and she lost the motivation to compose. She left to UK in 2000 where she stayed until 2004. In UK she self produced her album and Mathani Ikumi, (Ten Commandments) in 2005 just as VCDs shooting was becoming commonplace at River Road. “The shooting of VCDs was low quality so I decided to wait,” said Jerrie.

Debut Album

Self producing for Jerrie was because most producers she approached were looking for a big name and they didn’t think she was it. Nevertheless the album sold around 3000 copies boosted by air play it received from kikuyu radio stations like Inooro, Coro and Kameme FM on release. For Jerrie most of her compositions come about when she sleeps. “I get choruses, melodies and songs that way,” she says. Still her signature song Mathani Ikumi was harder and took years to be perfect. “Once a melody comes to my head it never disappears,” she said.

Acting

To market her music she relies on friends and words of mouth. This is to avoid what she calls church hoping to sell copies which can lead to her losing identity and lacking spiritual grounding. She has still released a second album “Njira ni Igiri.” In her new comedy musical film, she says she wanted to write songs with theatrical plays on them as opposed to just music. “So more people can connect with the songs messages,” Jerrie said. The mini title BABITO is from Baba, Bibi na Watoto, it’s about a church run by a greedy false prophet and his equally crooked wife and children.

For the production she wrote the script, directed and acted in it as the neutral observer of the goings on in the BABITO twisted church. According to Jerrie, her Christian faith motivates her to sing and act. “It’s my calling if its not in You, you can’t do it,” she adds. To get her albums and releases contact her on +254 723 100 195/+254 733 663 999 or by email jeshjames@yahoo.com

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kikuyumusicians@gmail.com 

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